Name: Question of Class in Contemporary Latin American Cinema (en Inglés)
Price: 147571.00 ARS
Availability: InStock
Author: Vazquez Vazquez Maria Mercedes
ISBN: 9781498553025

portada Question of Class in Contemporary Latin American Cinema (en Inglés)

Formato

Libro Físico

Editorial

Lexington Books

Autor

Vazquez Vazquez Maria Mercedes

Año

2018

Idioma

Inglés

N° páginas

222

Encuadernación

Tapa Dura

ISBN13

9781498553025

Categorías

México, centroamérica, sudamérica, latinoamérica
Historia de américa

Question of Class in Contemporary Latin American Cinema (en Inglés)

Vazquez Vazquez Maria Mercedes (Autor) · Lexington Books · Tapa Dura

Libro Nuevo

$ 147.571

$ 245.951

Ahorras: $ 98.380

40% descuento

Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Martes 21 de Mayo y el Martes 04 de Junio.

Lo recibirás en cualquier lugar de Argentina entre 1 y 3 días hábiles luego del envío.

Reseña del libro "Question of Class in Contemporary Latin American Cinema (en Inglés)"

The Question of Class in Contemporary Latin American Cinema responds to the renewed interest in class within and outside academia by examining the aesthetics and politics of class in a representative selection of films from the contemporary cinemas of Venezuela, Cuba, Mexico, Brazil, and Argentina. It explores the relationship of cinematic practices to conflicting socio-political transformations taking place in these five countries such as the intensification of neoliberalism, the Turn-to-the-Left, and the growth of the middle classes in the period from 2003 to 2015. Utilizing a critical comparative method , it sheds a critical light on the presumed depoliticization (or new, aestheticized politicization) of contemporary Latin American cinema. The combined textual and industrial analyses of films from strikingly different cinemas and directors through the lenses of class allows for a contextualization of this trend and the observation of its limitations. Furthermore, this book distinguishes cinematic figurations that correspond to new conceptualizations of class introduced in social studies from figurations of class that have yet to be conceptualized.