Compartir
Music and Instruments of the Middle Ages: Essays in Honour of Christopher Page: 22 (Studies in Medieval and Renaissance Music, 22) (en Inglés)
Elige la lista en la que quieres agregar tu producto o crea una nueva lista
✓ Producto agregado correctamente a la lista de deseos.
Ir a Mis Listas
Origen: Estados Unidos
(Costos de importación incluídos en el precio)
Se enviará desde nuestra bodega entre el
Lunes 24 de Junio y el
Lunes 08 de Julio.
Lo recibirás en cualquier lugar de Argentina entre 1 y 3 días hábiles luego del envío.
Reseña del libro "Music and Instruments of the Middle Ages: Essays in Honour of Christopher Page: 22 (Studies in Medieval and Renaissance Music, 22) (en Inglés)"
Christopher Page is one of the most influential and distinguished scholars and performers of medieval music. His first book, Voices and Instruments of the Middle Ages (1987), marked the beginning of what might be called the"Page turn" in the study and performance of medieval music. His many subsequent publications, radio broadcasting (notably the series Spirit of the Age) and performances and recordings with his ensemble Gothic Voices changed the perception of and thinking about music from before about 1400 and forged new ways of communicating its essence to scholars as well as its subtle beauty to wider audiences.The essays presented here in his honour reflectthe broad range of subject-matter, from the earliest polyphony to the conductus and motet of the thirteenth and fourteenth centuries, the troubadour and trouvère repertories, song and dance, church music, medieval music theory, improvisation techniques, historiography of medieval music, musical iconography, instrumental music, performance practice and performing, that has characterised Page's major contribution to our knowledge of music of the Middle Ages.Table of ContentsIntroduction - Tess Knighton and David SkinnerThe Progeny of Bernart de Ventadorn's Can vei la lauzeta mover - Elizabeth AubreyMedieval Iberian Song in its Mediterranean Context: From Andalusian muwashshahat to the Cantigas de Santa Maria - Manuel Pedro FerreiraThe estampies of Douce 308 - Elizabeth Eva LeachAnonymous IV and the Antiqui - Rob C. WegmanThe Development of the Latin Liturgical Psalter in England - John CaldwellForgotten Levers of Harmony: Where Are the Grammarians' Claviculi? - Crawford YoungThe Variable-Voice Conductus - Mark EveristMaking Sense of Omnis / Habenti: An Ars Nova Motet in England - Lisa ColtonSuper omnes speciosa: Machaut Reading Vitry - Alice V. Clark'The spirit moves me to speak of forms changed into new bodies': Anton Webern, Philippe de Vitry, and the Reception of the Ars Nova Motet - Lawrence EarpLa belle se siet: Where Dufay and Josquin Meet - David FallowsIn Search of Medieval Music in Non-Western Countries - Anna Maria Busse BergerWhere Did Our Musical Instruments Come From? - Jeremy MontaguInstrumentalists and Changing Performance Contexts, c. 1500 - Keith PolkNon-mensural Polyphony: Performing Plainsong - Reinhard Strohm'Übersingen' and 'Quintieren': Non-Mensural Polyphony in Secular Repertories: Oswald von Wolkenstein and the Monk of Salzburg - Marc LewonFrom Page to Sound: Performing the Masses of Walter Frye - Andrew Kirkman
- 0% (0)
- 0% (0)
- 0% (0)
- 0% (0)
- 0% (0)
Todos los libros de nuestro catálogo son Originales.
El libro está escrito en Inglés.
La encuadernación de esta edición es Tapa Dura.
✓ Producto agregado correctamente al carro, Ir a Pagar.
