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portada Feminist Avant-Garde: Art of the 1970S in the Verbund Collection, Vienna (en Inglés)
Formato
Libro Físico
Editorial
Año
2020
Idioma
Inglés
Encuadernación
Tapa Dura
ISBN13
9783791359717

Feminist Avant-Garde: Art of the 1970S in the Verbund Collection, Vienna (en Inglés)

Gabriele Schor (Autor) · Prestel · Tapa Dura

Feminist Avant-Garde: Art of the 1970S in the Verbund Collection, Vienna (en Inglés) - Gabriele Schor

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Reseña del libro "Feminist Avant-Garde: Art of the 1970S in the Verbund Collection, Vienna (en Inglés)"

Now available again in an expanded edition and featuring a variety of work from artists both well-known and under the radar, this volume explores the pioneering achievements of the Feminist Avant-Garde.For art history, the 1970s represent the beginning of women subverting culturally and socially established constructions and traditional norms. Second-wave feminism, with its slogan "The personal is political", challenged the one-dimensional roles assigned to women--mother, housewife, and spouse. During this period, women artists radically questioned their duties and created a plurality of self-determined representations of themselves. Rejecting traditional male-dominated techniques, such as painting, these artists made use of new media, such as photography, film, video, and performance. The outcome was artwork which was radical, poetic, ironic, bitter, cynical, and heartfelt. This book features more than seventy international female artists, including works by Martha Rosler, Mary Beth Edelson, Ana Mendieta, Nil Yalter, and Ulrike Rosenbach. Editor Gabriele Schor used the term Feminist Avant-Garde in order to emphasize the role that these artists played in the last four decades. This new edition has been enriched with twenty-five new artists--Emma Amos, Dara Birnbaum, Rose English, Natalia LL, among others--as well as up-to-date research on feminist exhibitions, catalogues, and periodicals. Each artist is introduced by an essay and the book also includes fascinating texts by leading scholars.

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