Compartir
Ver Sacrum: The Vienna Secession art Magazine 1898–1903: Gustav Klimt, Egon Schiele, Koloman Moser, Otto Wagner, max Fabiani, Joseph Maria Olbrich, Josef Hoffmann (en Inglés)
Valerio Terraroli
(Ilustrado por)
·
Skira
· Tapa Dura
Ver Sacrum: The Vienna Secession art Magazine 1898–1903: Gustav Klimt, Egon Schiele, Koloman Moser, Otto Wagner, max Fabiani, Joseph Maria Olbrich, Josef Hoffmann (en Inglés) - Terraroli, Valerio
$ 80.494
$ 100.618
Ahorras: $ 20.124
Elige la lista en la que quieres agregar tu producto o crea una nueva lista
✓ Producto agregado correctamente a la lista de deseos.
Ir a Mis Listas
Origen: España
(Costos de importación incluídos en el precio)
Se enviará desde nuestra bodega entre el
Miércoles 24 de Abril y el
Martes 07 de Mayo.
Lo recibirás en cualquier lugar de Argentina entre 1 y 3 días hábiles luego del envío.
Reseña del libro "Ver Sacrum: The Vienna Secession art Magazine 1898–1903: Gustav Klimt, Egon Schiele, Koloman Moser, Otto Wagner, max Fabiani, Joseph Maria Olbrich, Josef Hoffmann (en Inglés)"
With work by Klimt, Schiele and others, Ver Sacrum set the standard for magazine designThis book gathers the covers of Ver Sacrum, the official magazine of the Vienna Secession, which ran from 1898 to 1903. Published for the 120th anniversary of this historic magazine, it reproduces all 120 regular issues--plus some special, limited-edition covers--in 1:1 scale, alongside a selection of block prints, lithographs and copper engravings.Ver Sacrum (meaning Sacred Spring in Latin) was conceived by Gustav Klimt, Max Kurzweil and Ludwig Hevesi. During its six years of activity, 471 original drawings were made specifically for the magazine, along with 55 lithographs and copper engravings and 216 block prints, by artists such as Gustav Klimt, Egon Schiele, Koloman Moser, Otto Wagner, Max Fabiani, Joseph Maria Olbrich and Josef Hoffmann. Writers such as Rainer Maria Rilke, Hugo von Hofmannsthal, Maurice Maeterlinck, Knut Hamsun, Otto Julius Bierbaum, Richard Dehmel, Ricarda Huch, Conrad Ferdinand Meyer and Arno Holz were published in its pages.Ver Sacrum reveals the tremendous originality of the Jugendstil language, a cornerstone of modernity that elaborated new forms of design, illustration and print/editorial composition.