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portada The Favorite (en Inglés)
Formato
Libro Físico
Año
2020
Idioma
Inglés
N° páginas
84
Encuadernación
Tapa Dura
ISBN13
9781936135981

The Favorite (en Inglés)

Lucinda Watson (Autor) · Golden Antelope Press · Tapa Dura

The Favorite (en Inglés) - Lucinda Watson

Libro Nuevo

$ 31.012

$ 62.023

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  • Estado: Nuevo
Origen: Estados Unidos (Costos de importación incluídos en el precio)
Se enviará desde nuestra bodega entre el Jueves 06 de Junio y el Jueves 20 de Junio.
Lo recibirás en cualquier lugar de Argentina entre 1 y 3 días hábiles luego del envío.

Reseña del libro "The Favorite (en Inglés)"

The Favorite is, in Cig Harveys words, "an arrow to the heart." Its sixty-four poems are gently shaped into three parts as Watson leads readers into her childhoods world of social privilege,... Leer másThe Favorite is, in Cig Harveys words, "an arrow to the heart." Its sixty-four poems are gently shaped into three parts as Watson leads readers into her childhoods world of social privilege, recognizes the psychological costs inhabitants pay, and demonstrates a wide and wonderful range of reactions.Most of the fifteen poems in Part I are based on childhood memories. Four sisters ride uncomfortably in the back seat of the big car, ordered not to wrinkle their Sunday dresses, while their brother "rides shotgun and wears what he wants." A girl manages to paddle around in an old canoe, but her sense of freedom comes from keeping herself hidden, or pretending shes Pocahantas. Gender norms strongly favor the familys only boy, and its powerful, charismatic father, whose presence inspires awe and fear, compliance and rebellion. Straight women, passive women, pretty and well-dressed women-enjoy, question, and are damaged by their privilege. In "Another Hurricane Coming," for example, we understand whats lost when a mother no longer wants her children to "feel the wind." The fifteen poems in Part II stretch the threads first spun in childhood into adolescence, by turns angry, loving, subtle and compassionate. "When I Think of My Mother, I See a Closed Door," ends the section appropriately.Part III is longer-- its voice generally older, more accepting, more free in its metaphors, andmarked by a wonderfully wry sense of humor. As Richard Blanco says, "Watson tenderly, yetunabashedly, speaks to the allure and trappings of womanhood as she traces its arc from the innocentexpectations of a girl, to the fear of a teenager forced to conform, to a fully actuated woman ... self-aware and fully alive with all her past and her future, her pain and healing, her losses and her newfound hopes."

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