Compartir
Residual Futures: The Urban Ecologies of Literary and Visual Media of 1960S and 1970S Japan (Studies of the Weatherhead East Asian Institute, Columbia University) (en Inglés)
Franz Prichard (Autor)
·
Columbia University Press
· Tapa Blanda
Residual Futures: The Urban Ecologies of Literary and Visual Media of 1960S and 1970S Japan (Studies of the Weatherhead East Asian Institute, Columbia University) (en Inglés) - Franz Prichard
$ 82.185
$ 102.731
Ahorras: $ 20.546
Elige la lista en la que quieres agregar tu producto o crea una nueva lista
✓ Producto agregado correctamente a la lista de deseos.
Ir a Mis Listas
Origen: Estados Unidos
(Costos de importación incluídos en el precio)
Se enviará desde nuestra bodega entre el
Viernes 28 de Junio y el
Viernes 12 de Julio.
Lo recibirás en cualquier lugar de Argentina entre 1 y 3 días hábiles luego del envío.
Reseña del libro "Residual Futures: The Urban Ecologies of Literary and Visual Media of 1960S and 1970S Japan (Studies of the Weatherhead East Asian Institute, Columbia University) (en Inglés)"
In the postwar years, an eruption of urbanization took place across Japan, from its historical central cities to the outer reaches of the archipelago. During the 1960s and 1970s, Japanese literary and visual media took a deep interest in cities and their problems, and what this rapid change meant for the country. In Residual Futures, Franz Prichard offers a pathbreaking analysis of the works wrought from this intensive urbanization, mapping the ways in which Japanese filmmakers, writers, photographers, and other artists came to grips with the entwined ecologies of a drastic transformation. Residual Futures examines crucial works of documentary film, fiction, and photography that interrogated Japan's urbanization and integration into the U.S.-dominated geopolitical system. Prichard discusses documentary filmmaker Tsuchimoto Noriaki's portrait of the urban "traffic war" and the remaking of Tokyo for the 1964 Olympics, novelist Abe Kobo's depictions of infrastructure and urban sociality, and the radical notions of landscape that emerge from the critical and photographic work of Nakahira Takuma. His careful readings reveal the shifting relationships among urban materialities and subjectivities and the ecological, political, and aesthetic vocabularies of urban change. A novel cultural history of critical urban discourse in Japan, Residual Futures brings an interdisciplinary approach to Japanese literary and visual media studies. It provides a vital new perspective on the infrastructural aesthetics and entangled urban and media conditions of the global Cold War.
