Name: Georges Braque 1906 - 1914: Inventor of Cubism: Erfinder des Kubismus (en Inglés)
Price: 53261.00 ARS
Availability: InStock
Author: Gaensheimer, Susanne ; Meyer-Buser, Susanne
ISBN: 9783791379159

portada Georges Braque 1906 - 1914: Inventor of Cubism: Erfinder des Kubismus (en Inglés)

Formato

Libro Físico

Ilustrado por

Susanne Gaensheimer

Susanne Meyer-Buser

Editorial

Prestel Publishing

Autor

Gaensheimer, Susanne ; Meyer-Buser, Susanne

Año

2021

Idioma

Inglés

N° páginas

240

Encuadernación

Tapa Dura

Dimensiones

29.5 x 24.6 x 2.8 cm

Peso

1.59 kg.

ISBN13

9783791379159

Categorías

Catálogos y exposiciones
Historia del arte
Modernismo
Monografías sobre el arte

Georges Braque 1906 - 1914: Inventor of Cubism: Erfinder des Kubismus (en Inglés)

Susanne Gaensheimer (Ilustrado por) · Susanne Meyer-Buser (Ilustrado por) · Prestel Publishing · Tapa Dura

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Origen: Estados Unidos (Costos de importación incluídos en el precio)

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Reseña del libro "Georges Braque 1906 - 1914: Inventor of Cubism: Erfinder des Kubismus (en Inglés)"

This book seeks to reclaim the pioneering artist of the French avant-garde as the first practitioner of Cubism. For eight years before the First World War, a young Georges Braque and his friend Pablo Picasso shaped what was perhaps the most revolutionary stage in the history of modern painting: Cubism. This catalog of the accompanying exhibition focuses on Braque's turbulent pre-WWI period to reveal the processes by which the artist developed or reinvented his style in rapid succession-- from Fauvism, Proto-Cubism, Analytical Cubism, and ultimately to Cubism. The amazing speed and intensity of Braque's evolution stands as a remarkable parallel to modern art's shifting focus from representation to abstraction. Bringing together sixty works from museums and private collections around the world, this book offers scholarly assessments that contextualize Braque's career amidst unprecedented technological advances, new schools of thought, and an overall acceleration of everyday life in Western Europe. This includes the invention of moving pictures, which held a particular fascination for the young artist. Film stills and documentary and archival material help readers make the connection between dynamization and the development of aesthetic forms in the visual arts, between the visual innovations of the pre-war period and the flood of media images in which we live today. More than half a century after Braque's death, this exploration of his remarkable career brings us closer to understanding the artist whom Guillaume Apollinaire considered the touchstone of Cubist art.