The uncanny is an experience of disorientation, where the world suddenly seems strange, alienating or threatening. Using film, literature, and perspectives from cultural theory, this book explores the sense in which the uncanny may be a distinctively modern experience, the way these unnerving feelings and unsettling encounters disturb the rational presumptions of the modern world view and the security of modern self-identity, just as the latter may themselves be implicated in the production of these experiences as uncanny.